Winter break is winding down. I’ve handed in my “Contexts” essay draft (on the BBC series, Sherlock) and await my tutor’s feedback. Term two of my Issues in Modern Culture MA starts next week. Here’s what’s in store…
The “Authors” course continues with a canonical author a week. Last term we covered Flaubert, James, Conrad, T.S. Eliot, Pound, Green, Joyce, Woolf, Cather, and Beckett. This term we’ll kick things off with Stevens, then move on to Rhys, Bowen, Nabokov, Achebe, Bishop, Plath, Pynchon, Stoppard, and Coetzee. With the exception of some Stevens and Bishop, I haven’t read any of the upcoming authors, which is both intimidating and exciting. I’m particularly looking forward to the Nabokov and Stoppard seminars, in part because of the material and in part because they’ll be taught by young female lecturers, who can be few and far between in the upper echelons of academia.
Last term, our second course was “Contexts,” which I really enjoyed. This term, our second course will be two five-week module courses. For each set of five weeks, we take one of three “options”: A) Film OR Ludic Literature OR “Modern Sex”; and then B) 21st Century Fiction OR “Cultures of the Night” OR or Post-War American Poetry.
First up for me: “Modern Sex: Eroticism and Literary Writing.” Great title, isn’t it? I picked it because the reading/seminar list looked the most interesting. The course description says,
This set of five seminars will explore cultural representations of desire, of sex and eroticism, and of sexual identity, from the middle of the nineteenth century until the present day.
Tantalized yet? Just take a look at the seminar titles:
- The history of “sexuality” (i.e., Freud and super sexist Schopenhauer): “introduction to ways of thinking about desire, the individual, the species, connections between sex, love and death.”
- Wagner, Desire and Death: watching and discussing Tristan und Isolde. Though I’m not a huge Wagner fan, I do like opera — this seminar was one reason I chose to take the course.
- D.H. Lawrence: Women in Love and DHL’s ideology about sex.
- Thomas Mann & André Gide: Death in Venice and The Immoralist
- Modern Gay Writing and Cinema: works by Hollinghurst, Edmund White, Christopher Coe, Oscar Moore.
My second “option” module will be Post-War American Poetry, with one poet a week for the five weeks of term. We’ll do Ginsberg, Adrienne Rich, and Derek Walcott — I can’t remember the other two. Though I have never identified as a “poetry person,” this course appealed the most to me of the three options, and I figured it wouldn’t be a bad idea to branch out and challenge myself with some non-prose.
So that’s this term in “Issues.” The above courses run through March, then we have a month off, then we write write write (and write some more). I hope to post some updates and musings as the term moves along.
Is there anything in particular you’d like me to write about this term? Please let me know in a comment!