Tag Archives: Shakespeare

At the National Theatre: Shakespeare’s “As You Like It”

On a recent Wednesday evening, F and I took a weeknight out to see Shakespeare’s As You Like It at the National Theatre (NT). I had never been to the National Theatre but when I found out that they have £15 tickets to most shows — practically a steal in London — I jumped at the opportunity.

Aside from knowing the NT’s As You Like It production had gotten good reviews, I didn’t know what to expect of their production (would it be modern? Period?). I read As You Like It years ago so briefly refreshed my memory of the plot before the play started: essentially, the Duke gets overthrown and exiled, then his daughter Rosalind gets banished and so does young Orlando. Everyone ends up in a forest, there is some crossdressing and foolery, and all turns out well in the end.

The National Theatre’s production included an open office with computers, modern-leaning-corporate dress, and a brilliant set design to create the forest for the second half: the tables and chairs were attached in groups and lifted up into the rafters on cables to create obstacles and hiding places in the forest. Real people sat in high up in swings and the wings to create “live” forest sounds: hoots, howls, wind blowing, and more. There were also some great sheep.

As You Like It was such fun to experience. Seeing Shakespeare live brings so much more life to his words than just reading them on the page, and the actors did a wonderful job emphasizing the precision of Shakespeare’s language and turns of phrase. Rosalie Craig made feisty and fun Rosalind and was balanced by Patsy Ferran‘s Celia.

Although Rosalind and Celia shoulder much of the play’s plot, As You Like It is really an ensemble piece. There are plenty of laughs to be had thanks to Touchstone and Audrey, Silvius and Phoebe. There’s a bit of melancholy from Jacques. And there’s music! I had forgotten how much music is incorporated into Shakespeare’s comedies. The NT’s production of As You Like It did a wonderful job with the forest ballads, sung by an actor with a lovely, lilting tenor voice. The final scene was also largely sung and made for an enjoyable and happy end to a thought-provoking comedy.

I would highly recommend the National Theatre’s production of As You Like It. There is nothing like seeing Shakespeare performed live, and the comedies are accessible and fun for all. There is not a bad seat in the NT’s Olivier Theatre — our seats were in the very last row but because the theatre is sloped so steeply, we could see the entire stage without any heads blocking the view.

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At the Globe: “Much Ado About Nothing”

As a celebration for finishing our ‘Authors’ exams, Sarah and I headed down to Shakespeare’s Globe for a Thursday afternoon performance of the Bard’s comedy, Much Ado About Nothing.

inside The Globe

inside The Globe

The performance was excellent. I hadn’t seen a Shakespeare play live since attending the Oregon Shakespeare Festival with my grandma back in 2008, and this lived up to all expectations. I appreciated seeing Shakespeare performed in a simple and straightforward manner — as it should be. There were minimal props, simple costumes, and a cast of eight with almost everyone doubling parts. Now to the play:

First of all, Much Ado About Nothing is hilarious. The older I get the better I understand the language and get the jokes; Shakespeare really was a genius. This performance of Much Ado was very well-acted. Stand-outs for me were Emma Pallant as Beatrice and Simon Bubb as Benedick — they made a great pair, and Pallant and Bubb’s banter was brilliant to watch, as Beatrice and Benedick carry the bulk of the wit in the play. I — along with the audience — also took particular pleasure in Chris Starkle’s performance of Dogberry, for which he exchanged his serious Don John face for an aviator cap and Scottish accent. I was also surprisingly touched by the scene of Hero’s return — and Claudio’s surprise at it — near the end.

The production pleasingly and effectively incorporates a lot of music, too: the entire cast takes part, on accordion, tambourine, guitar…and they sing! (the well-known Shakespeare song, “Sigh no more, ladies.”) The early banquet/”revels” scene was done exceptionally well, with the music swelling and subsiding as sets of characters break away to converse.

Overall it was a top-notch performance. If you have a chance to see a Shakespeare play at the Globe, I highly recommend that you do it!

(Play aside, it was thrilling to sit inside a replica of Shakespeare’s Globe, the theatre most associated with his works. As it rained on and off throughout the performance, Sarah and I were very glad to have splurged on proper seats.)

Have you seen a performance at the Globe? What did you think?

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News Roundup: Sushi, Food Stamps, Shakespeare & Three Sisters

As we move into October (October already?!), here’s a roundup of what I’ve been reading and thinking about over the past month. Click the links to access the full articles. Thanks for reading, and please post your comments/questions/requests below!

Upcoming posts: more recipes (squash, anyone?), an overview of my MA program, and two reflective/retrospective Peace Corps-related musings.

Just for Fun

  • I’m making my way through George R.R. Martin’s Game of Thrones books, after having seen the first three seasons of the HBO series. It’s kind of fun to read the books after having seen the series; it’s filled in a lot of gaps that I remember being confused about. Anyway, if you have read and/or seen Game of Thrones, you’ll get a kick out of this hip hop remix.
  • Runner’s World periodically posts (humorous) “motivational posters.” This one is a recent favorite.
  • Oh, programmatic music! “The 1812 Overture: an attempted narration” from the Oxford University Press blog, took me right back to Music of the Romantic Era. Give it a read/listen — it’s good fun.

Education

  • “Three Sisters (Not Chekhov’s)”  is an astute NY Times op-ed by Joe Nocera on the US’s system for educating teachers, which seems to have a lot to be desired. Granted, I have not been an education student in the US, but from what I’ve read, and what Nocera says, there is too little classroom practice and too much theory. How about schools actually teach how to teach? Nocera notes,

Melinda recalls thinking that even the most basic elements of her job — classroom management, organization, lesson planning — were things she had to figure out on her own, after she had begun teaching. When I asked them what they had learned in college, they shouted in unison: theory! (Denise went on to get a master’s degree in education, which she laughingly described as “not exactly hands-on.”)

America & The World

  • As you probably know, I was a Peace Corps Volunteer in Ukraine from 2010-2012. We were technically employed (but not, since we were volunteers) by — or “serving” — the US Government. Yet it felt strange to say that. “What it Means to Serve your Country” addresses just this: that we think of “serving your country” as something military-related. I’ll let this excerpt speak for itself:

…for thousands of diplomats, intelligence professionals, Peace Corps Volunteers, AmeriCorps VISTA members, firefighters, policemen, and others working to improve communities around the nation, it would be awkward to say “I served my country.” It shouldn’t be. Service to country isn’t linked to combat.

[…]

Serving my country means that I gave up the normal progression of my life–high school, college, work–to do something whose end was civic. The same could be said for the veterans of many other types of national service.

  • “Dear Leader Dreams of Sushi” is an excellent piece of journalism on the former sushi chef for North Korea’s Kim Jong-Il. Even if you care nothing for the politics, read it for the fascinating story and quality of writing/reporting.
  • “Panera CEO learns about hunger on his food stamp diet”– the article title is pretty self-explanatory. Food stamps are part of a really important program in the States for people who live below the poverty line. This article made me like Panera even more than I already do. A sampling:

We, in corporate America, must be part of the solution. At Panera, we have tried to stretch ourselves to think of how to address hunger in new ways and challenge others to do the same. We have developed five nonprofit “Panera Cares” community cafes with no set prices and have donated hundreds of millions of dollars in products to food banks. Our view is that unless we at Panera take care of the world that we live in, there won’t be any society left to support us. If the past week has taught me anything, it’s that hunger is not a problem of “them,” it’s a problem of “us.” Hunger exists in every community, in every county, in every state.

Literature & Life

  • Charles Isherwood over at the NY Times has a thought-provoking article called “To Renovate or Not To Renovate?” Isherwood discusses theatre productions of Shakespeare plays and muses about the benefits and detriments to setting Shakespeare plays in modern times. An interesting read.
  • “Embracing Revision” is a piece from The Equals Record with wise words for writing and life that I connected with:

If I have learned one thing about the practice of writing, it is that the magic happens in revision. It is in returning to words that have already been laid out—turning them over, taking them apart, and rearranging them—that I discover what I really meant all along. And if I have learned one thing from this book thus far, it is that revision is a thing to embrace in life too.

We cannot tell where we are destined to end up and who we are destined to be. Yet, we can count on returning, again and again, to some of the people and places and ways of being we have already encountered. Each day is not simply a new bead on a tenuous string of life. Rather, each day is a revision of the last, and today is a first draft for tomorrow.

Russia

  • “Russia Leans on its Neighbors” talks about how much Russia is bullying the former Soviet republics not to sign trade alliances with the EU. Having lived in western (EU-leaning) Ukraine, this bullying infuriates me. Not to mention, the US is hardly taking any stand against Russia’s behavior. Here’s a taste:

The Kremlin openly dismisses its neighbors’ independence, territorial integrity and sovereignty. Glazyev…called the idea of Ukraine’s desire to take a European course an act of “sick self-delusion.” Only the European Union reprimanded Russia for the move against Ukraine. The United States remained silent. The failure of Washington and the European Union to articulate a coherent policy for Eastern Europe, Ukraine, the Caucasus and Central Asia has been interpreted by Moscow as a tacit recognition of Russia’s sphere of influence in the former Soviet Union — and license for Moscow to seek renewed hegemony there.

The stakes are high. Even if Ukraine, Azerbaijan, Armenia, Georgia, Tajikistan and the rest are not paragons of liberal democracy, their independence and security should be in the interest of the United States and its allies in Europe.